Working Title: Dogs Who Drink
John Berger wrote “Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure.” Liquor is something else that can, and has, been enjoyed in itself. Alcohol is purposed to alter your brain chemistry to make you feel enjoyment, and as such has been enjoyed by the masses for nearly as long as civilization as took place. It’s not difficult to imagine why alcohol is such a booming industry, one that only became more profitable as people turned to their home liquor cabinets during this past year and a half of a pandemic. And alcohol serves as much of a business as it is a hobby. Why else would George Clooney who was only known for his presence on the big screen start selling his own brand of tequila? Casamigos earned Clooney millions of dollars with every line of salt and wedge of lime served. Dozens of celebrities create their own liquor companies to sell to their fans, using their own images to promote the brand. Susan Sontag wrote “Images which idealize are no less aggressive than work which makes a virtue of plainness (like class pictures, still lifes of the bleaker sort, and mug shots). There is an aggression implicit in every use of the camera.” When celebrities who are already rolling in more dough than you’ll ever see posts a stylish looking Bahama-pic of them sipping their new cognac on a beach, who exactly are they selling to? Why are they selling it? And why is your local corner store suddenly carrying their line in the back aisle.
The Interventionists, Trespassing Towards Relevance explores this growing idea of overconsumption and abundance of advertisement. “In understanding why this is the case, it is instructive to look at the increasing growth of visual culture over the last twenty years. Could it be that the commercial flooding of the visual landscape has inadvertently led to the visual exhaustion of its viewers?” What is it that makes alcohol an item in demand at supermarkets. Is it the overabundance of booze, or is it the overabundance of other factors. During the Covid pandemic, the alcohol industry experienced a historical boom in numbers. Rather than the ease of access to liquor, it is possible to contribute this to the ease of access to media, and reality. All the while, the same celebrities and CEOs are only making more and more money of the people.
Vandana Jain's piece Throw a Dog a Bone masterfully utilizes the iconic look of New Orleans-esque liquor store plastic bags. New Orleans is a such a unique city, where the public has no open container drinking law established in the French Quarter. This unique law makes the city known by many tourists for its drinking potential, and the large Mardi Gras festival held once a year attracts many drinkers and party goers alike. The unique style, history, and culture New Orleans makes the piece all the more dynamic to the viewer. At first glance, the cartoon dog bone bewilder you, but upon reading the proper label, allows you to recontextualize the piece. To craft liquor store bags into dog bones creates a powerful allegory. Dogs crave bones, and as simple animals, humans crave a drink. The overconsumption of alcohol just serves to make it easier for us to hunt our next drink down than it is for our dogs to dig up a bone. Humans are beggars going for their next glass.
To be fair, It’s always five o’clock somewhere.
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